Berlin’s Michael Greeene, aka Fort Romeau, has always occupied a distinctive space in the field of melodic techno and tech-house. His sound pulls from the very origins of house itself, finding itself enamoured with the sounds of late 80’s Chicago and reimagining these for the contemporary dancefloor. It’s given his
Pop-punk and emo culture are experiencing a resurgence. Perhaps unsurprisingly, this new wave seems to come off the back of the current wave of Y2k nostalgia. Legacy acts like Avril Lavigne and Travis Barker are making lauded comebacks, while contemporary pop artists like Willow and current it-girl Olivia Rodrigo have
Sometime in the mid-2010’s, Boy Harsher was the coolest thing. Simultaneously straddling the growing trend of mid-fi darkwave and the post-punk synthpop of Crystal Castles and The Knife, Boy Harsher’s formula couldn’t have been more perfect for the time. 2014’s Lesser Man EP was a louche, gothic aural feast that
Canada’s Jacques Greene is part of a generation of producers to emerge in the mid-2000’s having been raised on a diet of Aphex Twin and 90’s drum’n’bass. The result of these influences in combination with the age of Tumblr and MySpace led to the evolution of a sound that impregnated
The visualisers for the music from British producer Bonobo’s seventh album, Fragments, have all played with the dynamics of light as it interacts with the natural world. For Rosewood, one of the album’s first singles, the ocean and a mountain coastline blur into a singular wormhole. For Tides (and Fragments
Russia is fascinating place, culturally speaking. Seemingly insular, the music that arrives from this part of the world is often incomparable to anything else that’s happening right now. Sure, there’s the odd Tatu or to some extent even Pussy Riot, but for the most part Russia’s artists have avoided assimilated
Aleksi Perälä is the definition of a stalwart. The Finnish producer has been programming tunes to move your body to since the late 90’s. But his most distinct quality is his ability to evolve his sound with the times; he’s always created left-field EBM that walks the tightrope between techno
The last we heard from Japan’s Soshi Takeda, he was making Balearic vaporwave inspired by a book of vintage Chinese landscape paintings and sounding like it could be the soundtrack to a Final Fantasy reboot for Nintendo. Floating Mountains, made entirely by using retro synths and technology, was a strikingly
2021 has been a year for dance and electronica quite like no other. Coming out the other end of a pandemic where isolation became the new normal and online party Club Quarantine became the new Berghain, the future of a form inherently rooted in human connection and our instinct to
Indiana producer Jlin’s polyrhythms and syncopations might appear as apparent chaos, but therein lies the brilliance of her skill as sound designer or perhaps more appropriately, auteur. With her origins in footwork, Jlin has continuously broken the boundaries of her own genre, cooking up increasingly more ambiguous drum beats and
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