Magazine(Page 90)

It’s rare that you can find an instant soulful classic when it comes to music these days. ELIS NOA provide the perfect, gentle interlude to the overproduced creations on the market at the moment with their recently released refined single ‘Weights’. The classically trained Austrian pair are quickly rising in

A new music startup called Songfinch recently closed its first round of seed funding with over $2 million raised from investors. Notably, a number of high profile musicians have invested in the startup, including The Weeknd, Quincy Jones, and Doja Cat. Led by Corazon Capital, the seeding round looked to

The new generation of goth artists currently emerging are mostly millennial/Gen-Z cusps, raised on a diet of the noxious nu-metal of early 2000’s and My Chemical Romance, supplemented with the drama of Evanescence and HIM. But specific to this generation of alternative, children of the darkness is a sort of

The phrase ‘disrupting techno’ is one that gets thrown around a lot in electronic music and critics circles, usually in reference to an act who breaks the mould of techno purism, but for all accounts is still making techno. As a style born as a form of disruption in of

New York producer Vitesse X used to make shoegaze. It makes sense that she was drawn to George Clanton’s 100% Electronica movement (née label), known for their futuristic chill and vaporwave and most recently, their cyber-rave VR events that streamed over the course of lockdown. It was here that Vitesse

Oh, electroclash. That glorious moment between the late 90’s and early 2000’s when the sound of the European underground was defined by a seedy sort of glamour, simultaneously grimey and glittery in the name of vanity, hedonism, and deliciously louche excess. Pulling both visual and sonic aesthetics from the New

On last year’s Reporting From Detroit, minimal techno visionaire Terrence Dixon mapped a portrait of the city that made him. Like sonic cartography, the music on Reporting echoed the architecture of his home city, both physical and social. Sparse, spacious, yet simultaneously dense, Dixon notes how his ‘Detroit techno’ comes

For a moment, let’s consider the pressures that the music industry can place on a rising artist: the push to create (and be) something totally new and unique that still somehow appeals to the mass public. Anyone who falls flat can disappear into the void: the experimental artists who focus

Universal Music plans to launch an unrecouped advances program for legacy artists to receive royalties without having recouped their initial advance payments. Universal is the last of the major three labels to unveil this type of plan, with Sony and Warner having already laid out similar schemes. Plans for Universal’s

Black Coffee made history at the 2022 Grammy Awards last night after winning the Best Dance / Electronic Music Album category, becoming the first African DJ to win the category and the first African DJ to win a Grammy in history. Black Coffee won for his seventh studio album, Subconsciously

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