MagazineReviewsAlbum of the Week(Page 2)

Karin Dreijer opens Radical Romantics with an apology. “I’ve done all the tricks that I can,” confesses Dreijer, offering us their atonement. After all, being a fan of Fever Ray is a complex experience. First introduced to the world as a genderfucked shamanic entity wielding primordial witch house beats, it

The first mistake one might make when approaching 100 Gecs is taking them too seriously. Seriously, don’t. Understandably, this has become a lot more difficult given their meteoric rise and the establishment of Dylan Brady and Laura Les as hyperpop tastemakers, thrust upon them following the release of their seminal

In 1986, Prince recorded an album as a woman. Camille, as she and the project were both christened, saw Prince pitching his voice up and assuming a more androgynous appearance to transform into the titular persona. It was condemned by his label, and for all accounts lost to the archives

Tenacious, resourceful, disciplined, wise, ambitious, prudent. Lonely. The goat is someone skilled at navigating both the material and emotional worlds, one who cares deeply for their companions, but is easily distanced by kinship. These are the defining personality traits of a Capricorn sun, according to Cafe Astrology anyway. Let’s be

When Björk began the process of creating Fossora, she decided that her tenth studio album would be her “mushroom album.” In recent interviews preceding the album’s release, the Icelandic singer-songwriter and composer kept pushing this concept forward, insisting that Fossora (the made up feminine form of the Latin word for

On the final track of his new album Quiet As Kept, F.O.G., Kai Whiston weaves a recording of a conversation between himself and his mother into a ten minute trip-hop soundscape of spiralling drones, swelling strings, and jagged breakbeats. “My first rave was in the warehouse I was living in,”

While British electronic duo Mount Kimbie may pull from krautrock to post-dubstep and hip-hop, it’s the synthesis of these influences that has produced something aesthetically distinct. In fact, the sonics of Mount Kimbie’s particular electronic landscape are so tightly woven, that you wouldn’t be remiss to forget that the group

The super saturated, mass consumerist culture of late capitalist America is no new concept for electronic music. Its neon drenched aesthetics and inherent overstimulation are always ripe for picking. Perhaps most prominent as a major influence on the aesthetics and direction of hyperpop, it was embraced as an allegory for

Beyoncé welcomed us into what she’s calling her Renaissance with a sample of a seminal house music classic. The bassline of Robin. S’s Show Me Love would become the bassline for our expectations of the singer’s eighth studio album, which promised to be her most definitive pivot toward the dancefloor

Who are Two Shell? Truth be told, that’s probably a question that won’t have any sort of satisfying answer for the foreseeable future. Here’s what we do know: the mysterious and elusive duo have risen from the London underground, dropping a string of vinyl exclusive singles and EPs. Earlier this

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