Germany’s iconic house outfit Milk & Sugar return with a new track for 2023, Feels Like, a collaboration with UK DJs Killed Kassette and Skapes with vocals from the Queen of Detroit Blues, singer Thornetta Davis. Bright, upbeat, and bouncy, Feels Like provides some much needed light to banish those
Last year saw Simon Green, AKA Bonobo, release what had been touted as his ‘masterpiece.’ Fragments, while perhaps not as groundbreaking as anticipated, did see Green venturing outside the Bonobo boundaries more than before, and thankfully so. Safety, after all, has proven time and again to be Green’s Achilles heel.
Seeing the names Björk, Shygirl, and Sega Bodega on a single track credit is the gift we didn’t know we needed. The queen of avant-garde baroque pop embracing the new vanguard of artists carrying her pioneering efforts into the future is a breath of fresh air, and with the Bodega
For those introduced to Nene H during the cycle of her debut album, Ali, you may associate her most closely with a style of techno that takes hard hitting austerity, and stirs it up with atmospheric ambience rooted in cultural pathos and emotional gravitas. The blue-tinged world of Ali, a
This week, we have unhinged remixes and discotheque house from a synthpop icon. These are the tracks you need to know about. Follow our Roundup Selections playlist on Spotify to stay updated on what we have on repeat. Caroline Polachek, Charli XCX, George Daniel – Welcome To My Island
For Granted, the first single from Korean-American producer Yaeji’s debut album With A Hammer, is a bit of a bait and switch. But it’s a rather satisfying one, at that. Upon the announcement of With A Hammer, interest peaked into which version of Yaeji we might get on her debut
James Holden’s hair is so much longer now. In a recent press shot accompanying the announcement of Imagine This Is A High Dimensional Space of All Possibilities, his first album in five years, it frames his face in wisps and lustrous swoops. It’s almost mystical, hood-like and… shamanic. It’s a
British electronic duo Overmono are about to release their debut album, Good Lies. It seems like a strange thought, given how ingrained they are in the culture of contemporary British club music. By all accounts, they’ve become essential players in the scene, akin to Burial in status, their work in
Pinpointing French producer Brodinski will likely land you somewhere between the grotesque body music of Gesaffelstien and the woozy stoner trap of Lil’ Wayne. Enamoured of both the sounds of street and club, Brodinski has been reinventing electronic music and hip-hop quietly for some time now, though less prolifically as
The past two years have seen German producer Bryan Müller, AKA Skee Mask, establish himself as a contemporary visionary in electronic music. His sound, which spans from vaporous manifestations of techno to minimal deconstructions of bass and breaks, gathers influences from leaders in club music over the past two decades
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