Earlier this year, we pegged Shamir’s eighth album, Heterosexuality as one of our most anticipated albums of the year. Over the past few years, the Philadelphia born singer-songwriter has been rising as a powerful new voice in alt-pop. As his Bandcamp bio makes clear; “Shamir is Shamir and remains Shamir
DOSS has always let her music speak for itself. Infamously elusive, she set the internet alight last year with tastemakers and underground club communities all in a quandary over the identity of the producer who dropped the sticky hyperpop-adjacent banger Look in April. That song would land a spot on
In 2005, grime pioneer Wiley explained his music to Spin magazine. “Everyone’s so angry at the world and each other. And they don’t know why.” Rage is at the core of grime. Born in the early 2000s post DnB and UKG, grime is the pulverising, aggressive love child of jungle,
There’s something inherently badass about an artist or band using their name as the title of one of their songs. It’s quite metal, actually. In that genre, it’s seen as a sort of flex by a band who’ve reached a point at which they’ve garnered the merit to pull such
If you are unfamiliar with what goes down in the underground queer club spaces of the world, it’s perhaps best to start by understanding that you’re dealing with a counterculture rooted in modes of subversion and performativity. These are spaces unafraid to reference, to clash, and to piece together mutant
From contemporary acid techno to a remastering of a forgotten 90’s techno gem, we roundup our favourite releases of the week. In no particular order: LSDXOXO – SMD The new single from Berlin-based breakout LSDXOXO is another techno scorcher that combines their Philly techstep and queer club influences with
Alice Glass has been on a journey of self-reclamation. Following the public fallout of Crystal Castles and her allegations of emotional and sexual abuse against former bandmate Ethan Kath, Glass was left shattered. But since then, she’s been picking up the pieces and has taken the time to temper herself
The future as prophesied by works of science fiction has never felt more likely to transpire. In the past year alone, we’ve come closer to the sort of tech-dystopias as foretold by H.G Wells than ever before. There’s Zuckerburg’s unveiling of the Metaverse, a chilling new reality that once seemed
Berlin’s Michael Greeene, aka Fort Romeau, has always occupied a distinctive space in the field of melodic techno and tech-house. His sound pulls from the very origins of house itself, finding itself enamoured with the sounds of late 80’s Chicago and reimagining these for the contemporary dancefloor. It’s given his
Pop-punk and emo culture are experiencing a resurgence. Perhaps unsurprisingly, this new wave seems to come off the back of the current wave of Y2k nostalgia. Legacy acts like Avril Lavigne and Travis Barker are making lauded comebacks, while contemporary pop artists like Willow and current it-girl Olivia Rodrigo have
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