MagazineReviews(Page 43)

When Robert Hood began working under the alias Monobox in 1996, it was to establish a space for him to freely explore his minimal techno ambitions outside of his solo work and Floorplan. Separating the music from the Robert Hood mythos separated it from expectations, opening the floor for Hood

It’s official. Blawan is weird again. There was a point at which it seemed that the UK DJ-producer had switched tactics toward, dare we say, more straightforward techno ambitions. Perhaps the expectations pegged on him following his breakout single Why They Hide Their Bodies Under My Garage? were always going

The most fascinating thing when first approaching JASSS’s debut on techno label Ostgut Ton is the distinct shift in style from her earlier body of work, which is fairly fresh itself. The Berlin-based Spanish producer, DJ and artist, aka Silvia Jiménez Alvarez’s 2017 debut record Weightless introduced JASSS with a

Last week, Arca did the unthinkable. The Venezuelan avant-pop producer released four entire albums consecutively, with little to no warning in between, in the span of a week on XL Recordings. The albums, Kick ii, iii, iiii had been teased in various capacities over the past month, all announced for

Harmattan, the latest project from London based multidisciplinary composer Klein, opens with a simple enough gesture; a piano aria. But as for solo / piano reaches its apex, the chords scatter and spin erratically before surging into the sparse syncopation of roc. It’s intrinsic to the album’s namesake; the harmattan

From French touch funk to future forward bass, we roundup our favourite releases of the week. In no particular order: Grimes – Player of Games Following previously heard tracks Shinigami Eyes and 100 Percent Tragedy, the new single from Canadian alt-pop star Grimes appears to be the first official single

What more is needed to prove that South African dance music is taking over the world? Gqom and amapiano are currently the country’s hottest cultural exports, and Black Coffee has just been nominated for a Grammy for Best Dance/Electronic Album. It’s easy to see how gqom in particular resonates beyond

Timedance, the label run by Bristol producer Batu, has become synonymous with innovation. The releases here are challenging in the way that they explore and subvert the trends of the Bristol underground, often arriving at uniquely distinct formulations of the sound of the club. Much of this is due to

Here’s a fact; William Orbit is one of the most prolific producers of the century. It’s not an unfounded statement; his multiple Grammy awards attest to that. The English producer had an immense impact on the sound of Y2k pop radio, shaping the direction of that era’s most influential records.

Jon Hopkins is making new age wellness music. To be honest, there’s really no better way to describe the sort of music that the English techno producer has specifically formulated to guide the listener through a psychedelic trip. Immersive, amorphous and (sometimes) overwhelming pieces of ambient, perhaps? The concept is

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