Image: Hyperdub There is a moment on Reflection, the third album from London producer Loraine James, where she confronts her audience directly, casually breaking the fourth wall on a track titled Self Doubt (Leaving The Club Early). “I know you may not like this one. But it’s just fun, you
Image: Gudu In 2019, Peggy Gou unleashed Starry Night upon the world. Released via her own label Gudu as a part of the Moment EP, the minimal house track was at once effortlessly cool. With it’s melodic bass and infectious piano riff, it became a massive breakout hit for the
Image by Agata Ferrando From vintage 80’s Euro-synthwave to experimental West African IDM, these are the releases that caught our attention this week. In no particular order: Ikram Bouloum – Ha-bb 5 (EP) As a conversation between the sounds of Bouloum’s Moroccan heritage and the aesthetics of Western electronic
Image: PAN If you are new to the work of Pan Daijing, you’re in for a trip. The Guiyang-Berlin based songwriter and, more accurately, sound artist will take you to the darkest, most uncanny parts of our lived experience and will deliver you feeling both enlightened and terrified. Daijing’s work
Image: AD 93/WHYT043 To call Maxwell Sterling simply a composer doesn’t really feel right. The Manchester born artist, who works primarily in scoring for film and media, has behind him a body of work that often transcends its own definition. The soundtracks he crafts for film display his innate sense
Image: black.round.twelve There was a time before the hour-long microbeat acid trip of Matsu that Ricardo Villalobos was busy crafting the music that would, in so many ways, shape his genre. Arguably one of the foremost pioneers in the minimal techno and micro-house scenes, the Chilean-German producer and DJ’s early
Image by Julian Buchan Hyperpop has been having an uncharacteristically sombre moment. The death of one of its most promising progenitors early in the year has left an undeniable void, and lately little can be said of the genre without acknowledging SOPHIE’s absence. What better way to restart the party
Image: Posey When you first encounter the meditative notes of a wooden recorder singing through the buzzing electronics on Vilde Tuv’s latest album Melting Songs, you’ll likely experience a moment of bewilderment followed quickly by stunning clarity. And while the flute and woodwind instrumentation is not entirely unfamiliar to electronic
Image: Ilian Tape When German producer Bryan Müller, known by the moniker Skee Mask, released his sophomore effort Compro in 2018, it was widely praised as an immaculately designed body of work. That album was seen as a remarkable refinement of the aesthetic he had been crafting since his teenage
Image: Ninja Tune In 2019, Marie Davidson announced she was retiring from live club music. The Montreal based DJ/producer, and by her own right, slam poet, is largely known for her innovative live hardware sets. The announcement was eerily felicitous, as a few months later clubs would see themselves shut
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