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Image: Embassy One If you Google Copenhagen trio WhoMadeWho, you may notice that they’re listed as ‘experimental pop.’ Now, in the current landscape where artists like Lotic are subverting pop tropes left right and centre and where hyperpop has become a legitimate genre, maybe this is not entirely accurate. However,

Image: Deadmau5 Deadmau5 featuring Foster The People is not a sentence that anyone may have imagined being written, but stranger things have already happened at the start to this decade, so here we are. To be fair, Hyperlandia actually works entirely in favour of this collaboration. Unlike his previous single

Image: XL Recordings Blawan, AKA Jamie Roberts, is sort of renowned for his disparate, somewhat skeletal modular synth techno. Why they hide their bodies under my garage? Exemplifies this sort of approach, with crunched out beats and loops characterising his sound with a particular kind of analogous decay. In recent

Image: Because Music From subversive hyperpop to an unexpected take from one of Africa’s rising talents, we roundup our favourite releases of the week. In no particular order: SHYGIRL – Cleo For her latest single, British rapper and DJ SHYGIRL finds herself transfixed by the glamour of Old Hollywood and

Image: Planet Mu From mutant cumbian to erratic and complex polyrhythmic breakbeats, we roundup our favourite releases of the week. In no particular order, here’s what we’ve had on repeat.  Juan Ramos – Iniciado  Berlin collective REIF recently announced their upcoming first compilation project REIF01, and with it an epic

Image courtesy Hyperdub The sound of South Africa’s dance music underground is having a moment like never before. The township born forms of Gqom and Amapiano have infiltrated the landscape of European electronic music, with more and more producers turning to the rhythmic patterns and lurking, grime adjacent bass thumps

Image Ninja Tune TSHA has slowly been on the rise to becoming one of the UK’s strongest new voices in electronic music. Last year’s Flowers EP largely solidified this status, a dazzling collection that revealed an immense sense of emotional depth and awareness to TSHA’s natural electronic pop affinities. The

It’s possible that Caribou may be a sage, or at the very least incredibly astute. There’s something eerie about the aptness of Dan Snaith’s nomenclature with regards to the zeitgeist. The fact that last year’s Suddenly arrived with a lead single called Home and left with a final single called

Image Ninja Tune Marie Davidson has been on a bit of a journey. Her take on synth driven techno was at once intriguing and charming, heightened by an extensive live hardware setup and unique spoken word approach. Flitting across her knobs and machines, her stage presence was at once enigmatic

Image by Łukasz Nowak Drum & bass is one of the sounds of the UK underground that experienced an astronomical boom followed by a rapid descent. In many ways, it followed a similar trajectory to dubstep, where the mainstream success of the genre ultimately became its downfall, though for drum

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