Omagoqa – Back To Ebombeni

Omagoqa’s latest EP, an extension of last year’s Back To Ebombeni, is a reminder of the enduring power of the gqom genre in the face of the amapiano boom. The Durban-based trio, who have previously collaborated with the genre’s kingpin DJ Lag, are now the new keepers of the abrasive sound of uThayela. While DJ Lag has been experimenting outside of the style, Omagoqa’s love for the raw and intense sound of gqom is evident on this EP.

Back To Embombeni (Deluxe) includes five new cuts to the original EP that offer a fresh take on the genre. It’s ostensibly enough to warrant a full album. Omagoqa’s interpretation of gqom is harder and faster, replete with surging basslines and formidable drops. On tracks like Suka these build slowly, while Gida enters mid-attack. The productions pack a lot more details, including fat bass whomps, mounting build-ups, and strategic, suspenseful pauses. The catchy producer tag ties everything together, making it an action-packed, peak-time sound that careens through highs and troughs like Durban’s iconic ibombas (minibus taxis).

Download and stream Back To Embombeni (Deluxe) here

The EP is a rougher take on traditional gqom, with weighty, stuttering drums and menacing synths doing all the talking. Omagoqa’s brand of gqom retains the genre’s hypnotic mood but adds EDM-ready climaxes. While the arrangements can get crowded at times, the EP provides a straightforward formula for dancers to turn up to.

Back To Ebombeni is a testament to the enduring power of the gqom genre, which has been a fixture on the global underground for years. Despite the rise of amapiano, Omagoqa’s EP reminds us that gqom is here to stay. With their love for the raw and intense sound of uThayela, Omagoqa is leading the charge in keeping the genre alive and pushing it to new heights. This EP is a must-listen for anyone who wants to experience the energy and excitement of gqom.

Listen to Suka (ft. Da lego) below.

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