Claire Rousay is one of the most intriguing artists in electronic music today. The San Antonio native’s music is more like sonic still lifes, collages of the mise-en-scene of everyday life, sequenced into strange, endless passages of ambience and noise. She’s also entirely unafraid to experiment. In the past year
The electronic music that comes from the North of Europe has always been distinct, as if echoing the terrains of its point of origin. Icy and ethereal, there’s a sort of primordial mysticism that can be felt in The Knife or Jenny Hval, or the pitch perfect emotional alchemy of
For the past 27 years, Dopplereffekt has existed as the intersection between Detroit and Germany, creating glacial and mechanical works of electro and body music under the guidance of the elusive Gerald Donald. Whereas peers like Mills, Hood, and the rest of the Underground Resistance embedded themselves and their music
Few debuts are as striking as Kelly Lee Owens’s 2017 self-titled album which, simply put, was a revelation. The Welsh producer/songwriter introduced herself to the world with a sound not easily defined, but traceable. Brewing minimal techno and hazy dream-pop with atmospheric, new age ambient and even touches of caustic
Experimental ambient producer sweeep has released her latest album, wake up before u die with all of its unusual goodness to boot. The Stockholm-based producer has worked with a string of well-known names including lo-fi royalty Eevee, the enigmatic WTCHCRFT and most recently DJ Clea. The recently released album opens
Italian composer Andrea Belfi shares an acoustically infused experimental mix with us today, and it’s as striking as his rich background. The producer previously opened for acclaimed alternative musician Thom Yorke on his international tour. He has also collaborated with the likes of renowned ambient musicians like Nils Frahm and
“How’s the weather?” is one of those questions that’s become a means toward trivial banter, an autopilot prompt for small talk in the ranks of “where are you working now?” or “how’s the family?” No one seems to be taking the question too seriously, except maybe for Loraine James. Following
On last year’s Reporting From Detroit, minimal techno visionaire Terrence Dixon mapped a portrait of the city that made him. Like sonic cartography, the music on Reporting echoed the architecture of his home city, both physical and social. Sparse, spacious, yet simultaneously dense, Dixon notes how his ‘Detroit techno’ comes
Max Cooper approaches music like mathematics. His background and PhD in science is likely part of this unique approach, with Cooper’s interests lying in the science of sequencing sound. The result of this obsessive investiture into the possibilities of sound design has resulted in Cooper becoming renowned for crafting a
Athens producer Stelios Vassiloudis occupies a unique space in electronic music. Classically trained, he’s been using his diverse and extensive musical background since the early 2000’s to craft music rooted in sonic emotion as much as the dancefloor. Favouring intricacy in harmonies and textures, Vassiloudis’s work has always had some
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