The best thing about UK producer ANZ’s latest track, Clearly Rushing, is how simple the whole thing is. Pivoting away from the poppy house and afters bass of All Hours, Clearly Rushing feels sort of old school. The whole thing finds itself centred around an 8-bit synth riff and
acid / bass and breaks / Garage / Progressive / Rave
For Granted, the first single from Korean-American producer Yaeji’s debut album With A Hammer, is a bit of a bait and switch. But it’s a rather satisfying one, at that. Upon the announcement of With A Hammer, interest peaked into which version of Yaeji we might get on her debut
Alt-Pop / bass and breaks / breaks / Dance / Drum'n'bass / Pop
British electronic duo Overmono are about to release their debut album, Good Lies. It seems like a strange thought, given how ingrained they are in the culture of contemporary British club music. By all accounts, they’ve become essential players in the scene, akin to Burial in status, their work in
