We roundup the must listen releases of the week. Check them out below. Aphex Twin- Blackbox Life Recorder 21f For his first track in half a decade, Aphex Twin welcomes us back gently. Blackbox Life Recorder 21f, the lead from an upcoming four track EP due in
Alt-Pop / Bass / breaks and bass / drum and bass / industrial bass / Pop
British producer Jack Latham, AKA Jam City, is often overlooked for his contributions to the current direction of dance oriented pop music and the sound of the underground. His unique style combines influences from across genres such as grime, R&B, and electronic, and since his lauded 2012 debut Classical Curves,
Bass / bass n breaks / Breakbeats / Dream pop / Drum n Bass / House / Pop / Synthpop
Suck, the new single from Cobrah, is as scuzzy as you might expect. The Swedish underground pop princess once again conjures up a sweaty, pulse quickening banger with her signature monotone cadence and propulsive house beats. But while Suck might sound like another variation of tracks like Brand New Bitch
On Spalarkle (Alys), the first single of her latest LP, Spalarkle, hyperpop-adjacent English producer felicita brought a touch of electroclash to the PC Music palette. The timing couldn’t be more perfect. With the imminent return of indie sleaze on the horizon, felicita’s lo-fi electropunk lends itself nicely to the present
ambient / Bass / bubblegum bass / experimental / hyperpop / Industrial
Since her now iconic EDC DJ set, fans of Canadian pop star Grimes have been clamoring for an official release of her epic opening track Welcome To The Opera. The collaboration with producer Anyma was initially assumed to be part of her long announced and since forgotten Book 1 project,
Sometimes a collaboration comes about that can feel as electrifying as a lightning storm in a disco ball factory. That’s sort of the case with Nikki Nair and Hudson Mohawke, two known agents of chaos who’s joint EP, Set The Roof, was surprise dropped from the ether. It’s no surprise
Bass / experimental / French-touch / House / two step / wonky
When the ex-duo, now solo act, Crookers dropped a new EP out of thin air following years of reclusion, I immediately texted one of my best friends. “I don’t like it!,” was his almost immediate response. This friend’s taste and instinct for what’s hip and happening is something I’ve come
Bass / bloghouse / Electroclash / fidget / jacking house / Tech House
If Australian producer Flume’s last album Palaces had a crowning jewel, it’s undoubtedly the haunting Sirens, featuring the sylphlike mermaid call of Caroline Polachek. With its fractured, hydraulic bass and oscillating chords, Sirens was a hypnotic dirge that showcased the most brilliant parts of Flume’s artistry. For his remix of
Bass / Future Bass / Garage / music video / new video / Remix / wonky
From GrimesAI’s best single yet to deeply personal minimal electronica, we roundup our favorite tracks of the week. Listen below. VTSS, Tim Reaper – Body, Mind, Hell (Tim Reaper Remix) With her debut EP, Circulus Vitiosus, VTSS pivoted toward vocal-driven alternative pop, a U-turn of sorts from the ravey,
There was a collective sigh of relief from longtime fans of UK producer Blawan upon the release of his 2021 EP, Woke Up Right Handed. From the deliciously vaudevillian squabble of Under Belly to the gibberish scatter of Blika, the EP was a return to form of sorts after years
