From Flume going pop, to Loraine James testing the climate of ambient, and to Kavinsky making a comeback with a power ballad… these are our must hear selections of the week. In no particular order: Jana Rush – Lonely (ft. DJ Paypal) Last year, Jana Rush released the excellent
ambient / Breakbeats / footwork / Pop / Post-dubstep / remixes / Synthwave
Canada’s Jacques Greene is part of a generation of producers to emerge in the mid-2000’s having been raised on a diet of Aphex Twin and 90’s drum’n’bass. The result of these influences in combination with the age of Tumblr and MySpace led to the evolution of a sound that impregnated
If you were to ask us which continent is currently at the forefront of electronic music’s future, we wouldn’t hesitate to say that it’s *Africa. Let’s look at the facts. In the past two years, the sound of South Africa’s amapiano has essentially gone viral and has infiltrated most of
Breakbeats / drill / drill'n'bass / grime / Hip-Hop / Jungle / trap
Indiana producer Jlin’s polyrhythms and syncopations might appear as apparent chaos, but therein lies the brilliance of her skill as sound designer or perhaps more appropriately, auteur. With her origins in footwork, Jlin has continuously broken the boundaries of her own genre, cooking up increasingly more ambiguous drum beats and
The most fascinating thing when first approaching JASSS’s debut on techno label Ostgut Ton is the distinct shift in style from her earlier body of work, which is fairly fresh itself. The Berlin-based Spanish producer, DJ and artist, aka Silvia Jiménez Alvarez’s 2017 debut record Weightless introduced JASSS with a
Berlin / Breakbeats / Industrial / New Album / Techno / trip-hop
Image: Sinderlyn Records New York’s Tama Gucci has been slowly shifting the expectations of both R&B and electronic music with his incomparable style. Fusing the tropes of the two genres by way of heartfelt, tender songwriting and razor sharp avant electronic beats, the singer-songwriter and producer has arrived at a
