Planet Mu’s Mike Paradinas, AKA µ-Ziq, has been on an interesting journey over the past few months. Though he’s been releasing music steadily on his label, his latest album Magic Pony Ride is his first collection of totally brand new music for Planet Mu since 2013. He’s otherwise been releasing
It’s possible that Australian producer Teneil Throssell’s greatest superpower under her club music alias HAAi, is her pysch-rock origin story. As HAAi, Throssell has been cultivating a sonic identity over the past few years that has become notorious for its high energy, acidic, peak time energy. But under the rave
breaks / bubblegum bass / Dream pop / Drum'n'bass / pyschrock / Rave / Techno
On paper, 053 is the most unlikely of collaborations. A joint effort between Italian producer and DJ TSVI and London’s Loraine James? The former a student of precision, the latter a merchant of chaos. Or perhaps this partnership was inevitable. After all, both artists have been finding a space for
ambient / Bass / breaks / drill'n'bass / Drum'n'bass / Electronic / experimental / footwork
Over the past decade, Bristol’s Batu has been making a name for himself as one of the most forward thinking club music producers in the UK. His sound, an amalgamation of influences from techno, to grime, to UKG, is entirely future focussed. With the nebulous techno of releases like 2021’s
ambient / Bass / breaks / Drum'n'bass / experimental / IDM / Techno / UKG
For over a decade, James Vine has found himself at the fore of the bass music boom. Better known as ENiGMA Dubz, Vine has been pushing the boundaries of what bass could be since cutting his teeth on the dubstep scene. He’s the sort of artist who’s anything but an
Bass / Drum'n'bass / Future Bass / Garage / Jungle / Post-dubstep / UKG
Last year as clubs and venues around the world slowly began the process of crawling out from under the weight of lockdown, So U Know surged to the fore as the definitive track leading ravers back into the light. One of two original tracks created by UK duo Overmono for
Bass / Breakbeats / Drum'n'bass / lo-fi house / Melodic Techno / UKG
Max Cooper approaches music like mathematics. His background and PhD in science is likely part of this unique approach, with Cooper’s interests lying in the science of sequencing sound. The result of this obsessive investiture into the possibilities of sound design has resulted in Cooper becoming renowned for crafting a
ambient / Breakbeats / Drum'n'bass / electronica / experimental / Post-dubstep / sound design / Techno
London’s Mall Grab is an interesting creature. Perhaps more so than his peers, he’s always been quite genre-fluid. Morphing through various styles of house, techno, and EBM, Mall Grab hasn’t settled on one thing too long before he’s on to the next. His past few releases have shown a slight
Breakbeats / Drum'n'bass / hardstyle / Rave / Techno / UKG
From scuzzy bubblegum pop to drum’n’bass from a techno superstar, we roundup our favourite releases of the week. In no particular order: Caroline Polachek – Billions On her new single, alt-pop star Caroline Polachek delivers a rapturous, sensual, and romantic slow-burner that’s more witchcraft than love song. Recalling Pagan
Andy Jenkinson, otherwise known as Ceephax Acid Crew has announced a his first full length since 2013, titled Camelot Arcade, and continuing from where he left off with past King Arthur related references. Out via WéMè Records, an imprint that has housed many of Jenkinson’s material for over a decade,
