sgrow | Circumstance | NO FOREVERS Release date: 10 November 2017 Review by Jenna Dreisenstock We hold in our hands the former; flare touch, gleaming crystal reflection – ourselves beneath a sheet of glass, a picture frame. It shimmers in the grasp of what we cling to, or what the
Electronic / experimental / glitch / IDM / No Forevers / norway / Oslo / Pop / Review / sgrow
Electronic R&B trio Suffer The Children announce latest politically-charged single ‘Doesn’t Mean We’re Free’ set for release on November 24th via Suffer The Children Music. This follows the release of their compelling debut titled ‘Killing Hands’ and recent single ‘Someone To Lose’, which showcased the trio’s emotive, physical side gaining
Electronic / experimental / Indie / London / R&B / Suffer The Children / Vancouver
Frequency Cowboy announces his latest collaborative offering, ‘Control (Badoos Remix)’ to feature on upcoming EP titled Move Closer released on November 24th via Dactyl Spondee Records. The track was recorded and mixed by Stew Jackson (Massive Attack, Marc Ford), with remix credit going to North London electronic artist Badoos. Inspired
Alt-Pop / Badoos / Dactyl Spondee Records / Electronic / experimental / frequency cowboy / Indie / London / Remix
Berlin-based electronic artist NHOAH is set to release ‘Abstellgleis Remixes’ on 1st December via R.O.T respectortolerate Records. The package features breathtaking remixes by UK acid-house architects 808 State and London-based IDM pioneer µ-Ziq. 808 State boasts a long history of commercial success, with a discography spanning nearly 30 years. Their
808 State / Berlin / Electronic / experimental / House / London / NHOAH / Remix / Respectortolerate Records / Techno / United Kingdom / µ-ziq
AVEC’s sound is comparable to the magical atmosphere just before the sun sets behind the mountains. It is melancholic but hopeful: the sun will rise again tomorrow. AVEC’s ‘Waiting For’ has been astonishingly remixed by the German DJ and deep-house extraordinaire Alex Schulz. Crafting the track beyond AVEC’s initial vision,
Alex Schulz / Austria / Avec / Electronic / Folk & Singer-Songwriter / HOUT / Indie / Indie-Pop / Nora Medin / Remix / singer-songwriter
‘I Can Hear The Light (Remix)’ is a dancefloor-driven delight brilliantly reimagined by acclaimed producer Manuel Tur, who in essence has stayed true to Sex of Insects’ uniquely crafted sound. Deep, tranquil basslines sit against refreshing percussion as Ylotana’s haunting vocals swim through this impressive rendition. Acclaimed remixer Manuel Tur
Alternative / Electronic / Germany / House / Manuel Tur / Remix / russia / Sex of Insects
Austrian electro-pop duo LEYYA announce enthusiastic new single ‘Drumsolo’ and upcoming album Sauna via Las Vegas Records. Sophie Lindinger and Marco Kleebauer have been on a high streak of victory – which has seemingly jolted to life on it’s own accord. Their debut album Spanish Disco was the catalyst –
Austria / electro pop / Electronic / experimental / Indie / Indie-Pop / Leyya / Pop
The ethos of Suffer The Children lies in honest collaboration and intelligent songwriting – without a specific end goal in mind. Inspired by aspects of modern trap and 80’s alternative pop. Operating from both London and Vancouver, the left-field R&B / electronica trio found common ground in the need to
Electronic / experimental / Indie / London / Pop / RnB / Suffer The Children / Vancouver / video
Interview by Shannon Lawlor sgrow are an experimental electronic duo based in Oslo, Norway. Since 2013, Vilde Nupen and Kristoffer Lislegaard have released a debut EP, a remix album and two full-length LPs. sgrow’s sound can be best described as an ethereal blend of IDM, classical, glitch and post-rock, encompassing
Electronic / experimental / IDM / Interview / No Forevers / norway / Oslo / Post-Rock / sgrow / Vilde Nupen
Berlin-based producer Andrew Applepie and Swedish vocalist Bjurman are back yet again with their latest collaborative victory ‘Waltz of Despair’ released on September 15th via Seeking Blue Records. With the original track and vocals supplied by Sandra Bjurman, a collaborative version was then created by Andrew Applepie, capturing their individual
