Alexander Crossan’s work in future bass has been pivotal in driving the scene forward (or eradicating it altogether), with his genrefluid approach breeding a significant online following that sees him form part of the new guard of pop and dance music agitators. As Mura Masa, his music transcends categorisation, as
The super saturated, mass consumerist culture of late capitalist America is no new concept for electronic music. Its neon drenched aesthetics and inherent overstimulation are always ripe for picking. Perhaps most prominent as a major influence on the aesthetics and direction of hyperpop, it was embraced as an allegory for
bubblegum bass / Future Bass / glitch / glitch-hop / hyperpop / wonky
American electronic duo Odesza occupy an odd space in the future bass lineage. While their sound has arguably been fairly essential to the establishment of the EDM off-shoot, they’ve become less prolific to the genre than the likes of, say, Flume or Bonobo. A reason for this is likely Odesza’s
Bass / Future Bass / House / Melodic Techno / Post-dubstep / Tech House / Techno
Who are Two Shell? Truth be told, that’s probably a question that won’t have any sort of satisfying answer for the foreseeable future. Here’s what we do know: the mysterious and elusive duo have risen from the London underground, dropping a string of vinyl exclusive singles and EPs. Earlier this
Bass / bubblegum bass / Future Bass / grime / hyperpop / Jungle / Rave / UKG
In the years since Australian producer Flume first unleashed his post-dubstep, future bass trap upon the world, the electronic music landscape has shifted significantly. The off-kilter, staccato shapes of Flume’s sound, seemingly cut from moments of pause in between, have become more commonplace while the rise of hyperpop and future
Bass / EDM / experimental / Future Bass / hyperpop / reggaeton / trap
For over a decade, James Vine has found himself at the fore of the bass music boom. Better known as ENiGMA Dubz, Vine has been pushing the boundaries of what bass could be since cutting his teeth on the dubstep scene. He’s the sort of artist who’s anything but an
Bass / Drum'n'bass / Future Bass / Garage / Jungle / Post-dubstep / UKG
Earlier this year, Flume announced his upcoming new album Palaces, his first since 2016, with a single featuring MAY-A. Surprisingly, the comeback single seemed to gesture at a change in direction for the Australian producer away from his signature style of post-dubstep / future-bass toward poppier waters. Say Nothing was
Bass / electronica / experimental / Future Bass / Post-dubstep / Synthpop
Ilja Alexander, the London-based dream-pop artist, announces the release of the sterling future bass remix for ‘Someday’, on 13 March via Green Monk Records. While the remix was premiered via Pop Dust, the original track was produced by Curtis Richardson (Jennifer Lopez, Rihanna, Joss Stone), Adien Lewis (Taemin, SHINee, NCT
Prolific electronic producer Uppermost has announced the release of his next single, ‘Creative Infinity’ on 21 February via his label Uppwind Records. Thus far, he has received support from a wide variety of publications including BILLBOARD, Complex, Dancing Astronaut, YourEdm, Paper Mag, Magnetic Mag, Clash Mag, This Song Is Sick,
Interview by Arnold van der Walt JAUZ has been taking over the electronic music scene since 2015 with his signature hard hitting bass style. The LA-based Icon Collective graduate is known for his energetic live shows and has since worked with DJ Snake, Skrillex, Krewella, Snails, Slushii, Zeds Dead and
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