Over the past decade, Bristol’s Batu has been making a name for himself as one of the most forward thinking club music producers in the UK. His sound, an amalgamation of influences from techno, to grime, to UKG, is entirely future focussed. With the nebulous techno of releases like 2021’s
Last year, Chicago’s Jana Rush single handedly pivoted footwork from the streets to the forefront of electronic music innovation. Her masterful album Painful Enlightenment both disrupted and evolved the form, a documentation of the unraveling of her own mental health through jarring, misshapen loops and stylistic mutations. Rush revealed within
For the past 27 years, Dopplereffekt has existed as the intersection between Detroit and Germany, creating glacial and mechanical works of electro and body music under the guidance of the elusive Gerald Donald. Whereas peers like Mills, Hood, and the rest of the Underground Resistance embedded themselves and their music
Few debuts are as striking as Kelly Lee Owens’s 2017 self-titled album which, simply put, was a revelation. The Welsh producer/songwriter introduced herself to the world with a sound not easily defined, but traceable. Brewing minimal techno and hazy dream-pop with atmospheric, new age ambient and even touches of caustic
“How’s the weather?” is one of those questions that’s become a means toward trivial banter, an autopilot prompt for small talk in the ranks of “where are you working now?” or “how’s the family?” No one seems to be taking the question too seriously, except maybe for Loraine James. Following
The phrase ‘disrupting techno’ is one that gets thrown around a lot in electronic music and critics circles, usually in reference to an act who breaks the mould of techno purism, but for all accounts is still making techno. As a style born as a form of disruption in of
2021 has been a year for dance and electronica quite like no other. Coming out the other end of a pandemic where isolation became the new normal and online party Club Quarantine became the new Berghain, the future of a form inherently rooted in human connection and our instinct to
Last week, Arca did the unthinkable. The Venezuelan avant-pop producer released four entire albums consecutively, with little to no warning in between, in the span of a week on XL Recordings. The albums, Kick ii, iii, iiii had been teased in various capacities over the past month, all announced for
Timedance, the label run by Bristol producer Batu, has become synonymous with innovation. The releases here are challenging in the way that they explore and subvert the trends of the Bristol underground, often arriving at uniquely distinct formulations of the sound of the club. Much of this is due to
Image courtesy Poppy From UK underground fusions of afro dance beats to grunge alt-rock by a former internet star, we roundup our favourite releases of the week. In no particular order, here’s what we’ve had on repeat. Ross From Friends – The Daisy British producer Felix Clary Weatherall, better known
Ticket selling store Dismiss