Posts tagged "Industrial"(Page 3)

The chemistry that Philadelphia’s Moor Mother and New Jersey’s DJ Haram have concocted together as 700 Bliss is alchemical. The two make for a near perfect creative partnership; feeding one another’s ambitions outside of their usual scope so that together, they create work that feels as playful as it is

Welcome to the second half of 2022. Congrats, we made it! Going into the end of the second quarter of the year, there’s a ton of amazing new music to look forward to. This week, we roundup our favourite new releases from VTSS going pop to Vladislav Delay’s latest industrial

Few debuts are as striking as Kelly Lee Owens’s 2017 self-titled album which, simply put, was a revelation. The Welsh producer/songwriter introduced herself to the world with a sound not easily defined, but traceable. Brewing minimal techno and hazy dream-pop with atmospheric, new age ambient and even touches of caustic

The new generation of goth artists currently emerging are mostly millennial/Gen-Z cusps, raised on a diet of the noxious nu-metal of early 2000’s and My Chemical Romance, supplemented with the drama of Evanescence and HIM. But specific to this generation of alternative, children of the darkness is a sort of

The phrase ‘disrupting techno’ is one that gets thrown around a lot in electronic music and critics circles, usually in reference to an act who breaks the mould of techno purism, but for all accounts is still making techno. As a style born as a form of disruption in of

Earlier this year, we pegged Shamir’s eighth album, Heterosexuality as one of our most anticipated albums of the year. Over the past few years, the Philadelphia born singer-songwriter has been rising as a powerful new voice in alt-pop. As his Bandcamp bio makes clear; “Shamir is Shamir and remains Shamir

Alice Glass has been on a journey of self-reclamation. Following the public fallout of Crystal Castles and her allegations of emotional and sexual abuse against former bandmate Ethan Kath, Glass was left shattered. But since then, she’s been picking up the pieces and has taken the time to temper herself

Sometime in the mid-2010’s, Boy Harsher was the coolest thing. Simultaneously straddling the growing trend of mid-fi darkwave and the post-punk synthpop of Crystal Castles and The Knife, Boy Harsher’s formula couldn’t have been more perfect for the time. 2014’s Lesser Man EP was a louche, gothic aural feast that

Russia is fascinating place, culturally speaking. Seemingly insular, the music that arrives from this part of the world is often incomparable to anything else that’s happening right now. Sure, there’s the odd Tatu or to some extent even Pussy Riot, but for the most part Russia’s artists have avoided assimilated

The most fascinating thing when first approaching JASSS’s debut on techno label Ostgut Ton is the distinct shift in style from her earlier body of work, which is fairly fresh itself. The Berlin-based Spanish producer, DJ and artist, aka Silvia Jiménez Alvarez’s 2017 debut record Weightless introduced JASSS with a

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