Image: Planet Mu Derived from ghetto house and hip hop, footwork may not be your immediate point of reference when considering the work of Finnish producer Sasu Ripatti, AKA Vladislav Delay and simply, Ripatti. His latest album, Fun is Not a Straight Line, parts with the artist’s conventions in that
Image: NON NON NON Electronic music has a long history of being the medium of choice for trans artists. From as far back as 1968 when Wendy Carlos played the works of Bach by way of a Moog synthesiser, there’s been something about the modulation of current into sound that
Image: Heartworm Press It’s no secret that Cold Cave, the moniker and ever evolving band of American darkwave and synth pop artist Wesley Eisold, owes a lot to the past. In many ways, the Cold Cave project is a tribute of sorts to the post-punk sound and electro-goth aesthetics of
Max Chapman, an underground house musician known for his unmissable, high energy performances, has been forced to step away from the stage as a result of covid and the extreme restrictions that have been placed on the country. The producer has been vocal about the impact this has had –
Photo by Eli Russell Linnetz Avant-pop star Grimes took to social media last week to reveal details about her forthcoming album. The sixth LP from the Canadian singer and producer is shaping up to be a high concept cyber pop opera about a queer AI looking for love. In a
Image by Calvin Leander Over the past few decades, German tech-house producer Sascha Braemer has pretty much had a hand in the shaping of the current global house music scene. His large number of releases have set the precedent for the sound of his genre, and his laidback beats are
Image by Rob Walbers From acid induced Miami bass to an eleven minute reworking of a disco magnum opus, these are the releases that caught our attention this week. In no particular order: VITALIC – Carbonized Vitalic returns with a chaotic electroclash offering that is full-on sci-fi theatre macabre. The
Image by Sasha Smolina Finding a sense of nuance in the consistent thud of techno is not an easy feat, which makes Julia Govor’s brand of techno a bit of a rarity. The New York based Russian selector and composer has always brought a sense of nuance to her productions,
Image credit: Trevor Brady Last year Felix Cartal landed on our radar with his infectious platinum single ‘Mine’ which featured the talented singer Sophie Simmons. Little did we know, this would be the start of a series of releases that would build towards his emotional-filled album Expensive Sounds For Nice
Image by Aurora Berget Every so often the tango between the worlds of rock and electronic music finds itself at an intersection, with artists embracing the similarities between the seemingly disparate genres and placing synthesisers over electric guitars. Who could forget KORN’s left of centre choice to have Skrillex produce
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