Image by Georgina Cook There’s always been a sense of overt otherness about Burial. The London producer’s work often feels focused from the outside; a voyeur to the dance floor rather than the dance floor itself. It is this point of view that positions Burial as an infamously elusive practitioner,
Image by Dasom Hahn From gqom infected garage to PAC-MAN house collaborations, these are the releases that caught our attention this week. In no particular order: Yaeji – PAC-TIVE Yaeji’s latest effort sees the Korean-American Dj/producer team up with PAC-MAN to create the theme track for the iconic game’s new
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Image by Marco Casino If there’s one thing certain about London-based Italian producer Not Waving, it’s that they have come to reveal themselves as a master in sonic shapeshifting. From their earlier work which located itself between unrelenting dance pop and the dark throbs of EBM (see: 2017’s Good Luck)
Our taste in media is inherently subjective; the difficulties that come with writing about film, television and music raises the question – what makes a piece of media objectively good, and how can we score that piece of media on a numerical scale? It makes sense to be able to
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Review by Shannon Lawlor Claude Debussy – arguably one of the most influential impressionist composers of the late 19th century. Best known for his extensive use of experimentation, non-traditional scales and chromaticism, Debussy has undoubtedly influenced many composers in the past and present, including Maurice Ravel, Igor Stravinsky, George Gershwin
